How many people have broken into publishing through slush? Um, hello, Stephanie Meyer. Hi, JK Rowling. Weren't you plucked from the slush?
The way I see it, agents possess a difficult job. They have to pick people, not just because of talent, but because they love the story. And look at your book shelf. There are great stories there, right? But out of dozens of stories, which ones did you love enough that you would stake your job on it?
It frustrates me that people can't see it through agent's eyes. So, because
Being an agent, it seems, is like being constantly hit on. And the would be clients -- that would be us, folks -- are the boys (or girls, if that's your thing, but for this purpose, we're going with boys) that are stepping up to the bat, putting their guts on the line, and flirting.
*I am obviously not an agent. However, as someone who would like an agent, I know it can be depressing to be going through the whole ordeal and maybe this will be cheering*
Boy One: The Creeper
This is the least likeable kind of guy and what most agents would probably classify as an auto reject. These are the boys that are either rude or weird. And not good weird. This includes;
A) The guy that randomly comes up to you in the library and asks to sit with you. He ignores the fact you are with your mother. He ignores the fact that you are ignoring him. He then insults the librarian and the library itself, and therefor pisses you (Oh, and 'you' means 'me') off really badly because you like the librarian and the librarians. (Exempting the one that gives you an evil look every time you walk up to her.)
| Seriously, how can you not like this?? |
This is the writer you do not want to be. Do not ignore the agent's obvious words and rules. Do not approach them at stupid times or through stupid ways. And don't insult people. It's annoying and rude. This also includes the freaky drunks that hit on you and the ones with really bad pick up lines.
Don't be a Creeper. Please. I love all you readers so, and I can't love you if you're a creeper.
Boy 2: The Almost, Maybe, and Someday
You know them. It's the saddest of all the boys, and all the clients, too. (Again, so not an agent over here. But I think a lot of us do fall into this category.)
This might be the cute senior who's supposed to be timing your debate round, but instead adds his phone number into your cell. It's the the guy with the witty banter and raised eyebrows in the middle of class. It's the dude with glasses who offers to buy you coffee while you're waiting for your sister.
No matter how much this appeals to your ego, you just . . . really aren't that interested. The boy might have distracted you during the round, but when you talked later, well, it didn't work. When the guy tells you how smart you are, your ego shines, but this really isn't your thing. And no matter how good the coffee looks -- and believe me, it looks great --
--it isn't gonna happen.
You want to like this person. Maybe you even do kind of like them. You might go on a date, or you might want to ask for a partial. You think about it, definately. But there's some other reason why this can't work.
So many writers fall into this. Now, this doesn't mean there isn't a problem, and unlike the poor guy, you can maybe fix your problem. (Not enough plot, too dark, too long.) But sometimes? You just have to keep trying. You've got good aspects. You have witty banter and coffee and good hair. So keep it up! It's gonna happen.
And that leads to type three.
Boy Three: The YES NOW
This is the pretty boy. The smart boy. The boy that you look at, or listen to, the boy you have dreamed of, and the boy that finally knocks on your door. And there is no acting coy. Instead, it is a direct YES.
| You thought it would be Alex Pettyfer, didn't you? Silly reader. |